The decommissioned Hinkley Point A nuclear power station in its rural Somerset setting.
Image: Adrian Flint
With its agro-pastoral landscape of hedgerows, fields, and rolling hills and levels, often-sleepy Somerset may be the very picture of rural England – the quintessential ‘green and pleasant land’. To reinforce this, the area gained a variety of landscape and environmental designations over the course of the twentieth century, including Exmoor National Park and the Quantock, Mendip and Blackdown Hills Areas of Outstanding Natural Beauty (AONBs).
At the same time the Somerset region is a twenty-first-century hub of energy production that faces further intense energy development, both renewable and non-renewable. It is the site of the Hinkley Point nuclear power stations A and B, and, potentially C, as well as new supersized transmitter pylons. It is also increasingly – often controversially – dotted with wind- and solar-power projects.
To what extent are the two faces of Somerset in conflict with one another? After all, Somerset has a long, proud record of historical energy provision, if its coal mining and other industrial activities are taken into account. How is it that inconsistencies between public expectations of landscape beauty and energy security have developed?
As a historian of the Universities of Bristol and Cambridge, Jill Payne has worked on the historical dichotomy between energy provision and the aesthetics of landscape and environmental protection in South West England. In this episode of the Exploring Environmental History Podcast series, Jill explores what people have come to expect in terms of energy security and how this squares with the issues involved in the desire to protect and preserve landscape and environment in ‘green and pleasant’ England.
Further reading and resources
Jill Paynes blog posts on the Power and the Water website.
Quantock Hills blog posts on the Histories of Environmental Change website.
Luckin, Bill, Questions of Power: Electricity and Environment in Inter-War Britain (Manchester University Press: Manchester, 1990).
Nye, David E, American Technological Sublime (MIT Press: Cambridge, Massachussetts, 1994).
Williams-Ellis, Clough, England and the Octopus (Geoffrey Bles: London, 1928).
“Marcos Theme” by Loveshadow, available from ccMixter
“Out in the rain” by offlinebouncer, available from ccMixter